Wednesday, 30 March 2016

More about The Belgae Torc


I want to write a series of blogs about my first book and will start with this general description.  (Apologies to those who have seen this before).





‘The Belgae Torc’ took nine months to write and was my first attempt at disciplined writing.  Most of this book was written at the end of the working day which isn’t ideal as my most productive time is between 6am and midday.  The words I produce each evening are edited and knocked into shape at weekends when I can work during my most artistic phase.

With ‘The Belgae Torc’, I had a plot in mind so I was able to focus my research and bring my characters to life.  The beginning or Part 1 is set in the Iron Age.  I pretty much knew what was going to happen in this part of the book and the characters were a joy to work with.  This is where the torc took shape and it features throughout the remainder of the book.

The Belgae people were a group of Gallo-Germanic tribes who lived in Gaul from at least the 3rd century BC.  They were later found in Britain and I chose to put them in what would eventually become Somerset.  The Belgae gave their name to the Roman province of Gallia Belgia, which evolved into the modern country of Belgium.

I enjoyed writing the Iron Age section and many readers have asked me if I intend to write more stories set in this period.  Maybe I shall but at the moment I have many other projects pending.  I have the Torc Trilogy to complete and also I’m planning a series of books that follow on from ‘The Witness’.
Part 2 is set in modern day England and Ireland.  At this stage my head was filling up with ideas and a story was beginning to take shape.  Principle characters were turning up and this helped me to develop the plot.  It’s strange how even though you might think you are in control and have a very rigid storyline in mind, the characters take on a life of their own and suddenly everything changes.  I was constantly researching things that I knew nothing about in order to understand my characters and try to work out how to get them out of situations.

When I began writing about Orlagh, I had a pretty good picture of her in my head.  I knew she had a thick head of flame red hair and her eyes were a beautiful shade of green, but I deliberately refrained from describing her in detail.  When I read a book I prefer to make up my own mind about what characters look like and I often ignore detailed descriptions, so bearing that in mind I like to be economic with my own descriptions.
At first I didn’t have a name for Orlagh, but being Irish she needed a suitably Irish name.   One day I was listening to the band the Corrs, and during the chorus of one of their songs they sing ‘all again’ repeatedly.  Their Irish accents made the words sound like Orlagh Gairne and it was then I realised that I had a splendid name for my main character.

Secondary characters popped up naturally and although I allowed the plot to flow I often found myself having to pull it back on track.  It’s amazing where your characters will lead you given half a chance.

I have always been interested in history so weaving intrigue with factual references came easily as my research revealed a multitude of interesting facts.  I did my best to maintain a mystical element throughout the story with the druids and the Phoenix Legion.  The Second World War element fitted in nicely with the German drive to produce a Master Race and eventual world domination.  This is another element of the story that prevails throughout the trilogy. 
 I didn’t set out to write a trilogy.  At first ‘The Belgae Torc’ was going to be a single novel, but as time went on ideas began to develop and it seemed a shame to stop.  There are some very strong characters in the book and I thought it would be a good idea to develop them whilst continuing the theme.  Books two and three will be linked more closely so they will need to be read in order.  

Book two, ‘The Gordian Knot’ was released in 2014

Wednesday, 23 March 2016

Editing:- With the stroke of a pen…

The first draft is written and printed and now comes editing.


Completed first draft




The offending weapon;-  The Red Pen
I have a box of these pens standing by and am willing to use them with impunity. 

Editing is an important process in producing a novel.
Sentences and paragraphs invariably need tidying up, overused words removed or changed, my thesaurus comes in handy here.
Clich├ęs need rooting out but beware; these can be useful in dialog.
(We’ll discuss this in another blog). 





The Red Pen in action


Sentences can be moved around to make words flow better and I often find that active verbs can add a bit of pace to a dull collection of words.  I can spend quite a lot of time agonising over the arrangement of a sentence just to change it back again on another read through.




A heavily edited page showing the demise of a whole paragraph


It is important to ensure that each word flows off the page.  The pace of the story changes throughout the novel, for example, and exciting piece full of action needs to flow very quickly as readers tend to read these passages faster.


More editing


All this and more can be achieved by careful editing.

Write without fear
Edit without mercy

Thursday, 17 March 2016

On the home run

115,000 words now done, so on the home run. Today I should finish the first draft of the third and final novel in the Torc Trilogy.
The next stage is of course editing, so I shall be changing the colour of my pen to red. The first draft will no doubt be edited to within an inch of its plot.
I'm on track for a June launch, so watch this space.
List to do over the next four weeks.
Edit first draft
Correct and re-print
Read through, (again)! and red pen where necessary
Arrange the text for the final draft
Work on cover and synopsis
Begin advertising campaign with countdown to launch/reveal
Once this is done then the manuscript can be proofread.
Happy reading. :-)

Saturday, 5 March 2016

The Witness Kindle from March 2016

Just an update to let you know that the kindle price for The Witness has now been set at £2.16 and $2.99


The original artwork for the cover as displayed at the book launch.